Basel Abbas and Ruanne Abou-Rahme make collaborative work informed by the artists' research with historical archives, literature, underground music, and film. And yet my mask is powerful stages encounters with materials from Palestine through installation, sound, cinema, and an artists' book. The exhibition has two parts. Part I is a video and sound installation. The camera follows a group of young people on a springtime walk through the ruins of a destroyed Palestinian village in Israel. We see them uncover masks, try them on, and descend into a cave. Staging new ritual of recuperation and discovery, their movements are framed by text the artists edited from Adrienne Rich's award-winning poem Diving into the Wreck (1972). Transposed in English and Arabic, the text forgoes metaphors - seeking not the story of the wreck, but the wreck itself - and searches for what can possibly be retrieved from such a disastrous site. Rich's feminist screed describes a solitary figure who draws on existing structures yet embarks alone toward a society without domination. Abbas and Abou-Rahme repurpose her words to question colonial legacies and occupation.
Part II resembles a scholarly study or museum storage encompassing both prehistoric time and the digital future. Neolithic limestone masks excavated near the Dead Sea and in the West Bank in the 1980s are "hacked" and reproduced using 3D technology. Printed images overlap with one another against deep blue walls while masks are unpacked, notations taken, plant specimens collected. The installation appears like a brain, inviting visitors to draw connections and peer into the artists' multi-layered research process. Abbas and Abou-Rahme are insurgent samplers of the culture, digital bandits. And yet my mask is powerful opens possibilities for reimagining fraught histories through narratives other than endless crisis.
Basel Abbas and Ruanne Abou-Rahme's work has been featured in exhibitions at the Palestinian Museum, the ICA-Philadelphia, Portikus, Kunsthalle Wien, the Museum of Modern Art in Warsaw, and the ICA-London, and in the biennials in Sharjah, Sao Paulo, Istanbul, Gwangiu, and Liverpool. They were awarded the Abraaj Group Art Prize in 2016 and the Sharjah Biennal Prize in 2015. This exhibition is the United States premiere of And yet my mask is powerful.
Curator: Amy L. Powell
Krannert Art Museum exhibitions are made possible in part by a generous grand from The Andy Warhol Foundation for the Visual Arts. And yet my mask is powerful is presented in collaboration with Asian-American Studies and the Center for South Asian & Middle Eastern Studies.
West Gallery, Light Court, & Rosann Gelvin Noel Annex
- Starting Friday, January 26th, 2018, repeats every day until Saturday, July 14, 2018 — all day